A Great Big Beautiful Tomorrow
Wednesday, August 31st, 2005Last winter I went to Disney World with a couple of friends, and while other visitors waited in seemingly endless lines to go on the newest rides — rides that turn you upside-down, rides that skim precipitous drops, rides that accelerate at ungodly rates that bring to mind scenes from cartoons in which a character’s body shoots forward while his head remains behind, his neck stretching comically long — we spent our most pleasant late afternoons and evenings in that haven for pregnant women and children who are not yet “this tallâ€: Tomorrowland. Contrary to what its name suggests, Tomorrowland is less a peek into the future and more a glimpse into the past; the “tomorrow†to which it refers was decades ago. It is filled with rides and exhibits that were sleek and modern 40 years ago but now seem quaint and adorably misguided, like a drawing done by a five-year-old.
The gem of the Tomorrowland collection is the Carousel of Progress. Originally built for the 1960 World’s Fair in collaboration with General Electric, the Carousel cycles riders through four animatronic dioramas taking place in different times — the turn of the 20th century, 1920, 1940 and “today†— each of which features the same family boasting about their newest technological comforts. When G.E. withdrew their sponsorship in the early 1990s, the Carousel was refurbished, both to eliminate all mentions of G.E. and to modernize “today’s†diorama. The updated take-home message, very much a vestige of the early nineties and once again adorably misguided, seems to be that videophones are the wave of the future and will revolutionize telecommunications as we know it.
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